Charles and Rebecca invite you to join them

A Private Invitation

A $1B+ collection is already committed. Now we are inviting founding partners to help open it to the world.

The collection is here. The museum vision is designed. The conviction has been fifty years in the making. What remains is the land, the structure, and the partners willing to stand at the founding of a once-in-a-generation cultural institution.

Charles and Rebecca Trois — founders of the Trois Museum of the Future Charles & Rebecca Trois
Meet the Founders

The History of the World Founders

Charles has done the hard work and gathered the items for the museum. We are convening the partners who will help with the other half.

Charles Trois

Charles Trois has spent more than fifty years proving that an extraordinary idea can be made real. A Philadelphia-born artist, musician, and self-taught builder, he first stepped into the spotlight as a guitarist with The Soul Survivors, whose hit “Expressway to Your Heart” helped define an era. He later joined the team at Super K Productions, the legendary New York production house behind more than fifty hit records. In 1969, Charles left the stage and committed himself to a life of painting, sculpture, architecture, and building on a monumental scale.

Charles builds from vision rather than convention, working in enduring materials — stone, iron, brick, and wood. His body of work includes a utopian art center in Vermont, the surrealist Feed Mill in Johnson City, and a “Modern Mayan” stone house outside Austin that earned a seven-page feature in the September 1990 issue of Architectural Digest. That vision reached its fullest expression in the Trois Estate: a thirteen-structure, village-scale compound carved into the granite of the Texas Hill Country. Part home, part work of art, and part small town, the estate is an architectural masterpiece built as a world unto itself — tangible proof of Charles’s ability to carry a seemingly impossible idea all the way into stone.

Alongside his artistic life, Charles built a formidable career in real estate, closing more than three hundred transactions in some years. He turned that success into the means to pursue his deepest conviction: that the objects through which humanity remembers itself must be gathered, protected, and ultimately shared. The result is a private collection of art, antiquities, and historic arms numbering nearly one million pieces — one of the most expansive personal collections ever assembled. The Trois Museum is not a departure from his life’s work. It is the scale toward which that work has always been moving.

Rebecca Trois

Rebecca Trois has been Charles’s partner in every sense of the word: a trusted voice, a clear-eyed source of judgment, and the steady presence behind a life defined by ambitious ideas. She brings an uncommon ability to understand people, recognize what matters, and keep the human purpose of the work in view. Where Charles sees what might be built, Rebecca helps ensure that what is built has meaning, coherence, and a place for others within it.

Her contribution is not simply support; it is leadership expressed through constancy, discernment, and trust. Together, Charles and Rebecca have raised five children, sustained a family through decades of risk and creation, and built a life in which art, enterprise, and responsibility to one another remain inseparable. Their family is their proudest achievement and the foundation beneath every larger vision they have pursued.

The Trois Estate stands as the clearest physical expression of their partnership. Its thirteen structures form a village in the Texas Hill Country — Mayan and Mediterranean in influence, yet unmistakably their own. Charles gave the estate its daring architectural language; Rebecca helped give it the warmth, continuity, and sense of belonging that turned a remarkable place into a family home.

The Next Act

Now Charles and Rebecca — together with their family and the partners they have begun to gather around them — are setting their sights on their most ambitious dream yet: The Museum of the History of the World, a 400,000-square-foot living monument designed to house their nearly one-million-piece collection and tell the story of human civilization under one extraordinary roof.

It is the culmination of a lifetime of art, enterprise, craftsmanship, partnership, and family — and they are inviting you to help carry that legacy into the future.

Step inside the dream.

Become part of the story.

The Capital Campaign

What The History of the World Founders Make Possible

Pillar I

The Land

Securing the site for a 400,000 sq ft destination campus — the physical ground on which fifty years of collecting becomes a permanent public institution.

Pillar II

The Building

A three-story stone campus organized around a luminous atrium garden — olive trees, cascading water, a glass dome — designed as one of the museum’s primary expressive instruments.

Pillar III

The Beginning

The endowment, the curatorial framework, the scholarship infrastructure, and the operational foundation that carry the museum through its first generation and beyond.

The Founding Tiers

Five Tiers of The History of the World Founders

The History of the World Founders are organized into five tiers — not by dollar amount alone, but by the form and consequence of their contribution. Each tier carries permanent recognition within the institution’s founding charter. Specific recognition is shaped in private conversation.

Tier I Foundation Stone

The bedrock of the institution. Land, building campaign, and founding endowment gifts at the most consequential level — including major founding financial gifts, multi-year pledges, and family office or foundation partnerships. Named atrium, wing, or signature gallery. Permanent inscription within the founding charter and the architecture itself.

Tier II Pillar

Major capital gifts toward the building, the immersive interpretation systems, or named curatorial chairs — including structured giving through donor-advised funds, charitable trusts, or estate-integrated strategies. Founders at this tier shape the museum’s intellectual and architectural backbone.

Tier III Threshold

Significant gifts toward specific galleries, the Garden of Beginnings, the Reflection Chapel, conservation laboratories, or program endowments. An echo of the Threshold of Creation — where every visitor begins.

Tier IV Keeper of the Long Memory

Material & In-Kind Founders, Land Contributors, Collection & Conservation Partners, and recognized in-kind partners — those whose contributions of materials, land, equipment, technology, or stewardship make the building physically possible. Includes gifts of stone, timber, glass, structural systems, conservation laboratories, climate infrastructure, and cataloging or digitization resources. Recognized with the same permanence as cash patrons.

Tier V Witness

Individual founding supporters at any level who believe this museum should exist and want their name in the founding record — including bequests, planned gifts, and named endowments that carry a Founder’s vision forward in perpetuity. Every Witness is part of the group that brought the institution into being.

Tax-Deductible Giving

A 501(c)(3) Cultural Institution

The Trois Museum is registered as a 501(c)(3) nonprofit cultural institution. Contributions of cash, securities, real property, art, antiquities, materials, equipment, and other in-kind gifts are tax-deductible to the fullest extent allowed under U.S. law.

Whether a gift is a founding contribution or a smaller act of belief in the work, every donation is documented, acknowledged, and stewarded with the same care. Our team works confidentially alongside donor advisors, attorneys, and family office representatives to structure each gift in the form best suited to the donor — whether outright, multi-year pledge, appreciated assets, real estate, planned bequest, or in-kind contribution.

An Invitation

Begin a Private Conversation

“There are very few opportunities in a generation to help bring a major cultural institution into being — especially one rooted in such a singular private collection, such an ambitious architectural vision, and such a deep conviction that history, encountered honestly, can change us for the better.”

If this resonates — if you believe a museum like this should exist, and you would like a private conversation about how you, your family, or your organization might join The History of the World Founders — we welcome you.

Founders Liaison Jason Hoar — Museum Representative, Trois Museum
Jason Hoar
Museum Representative · The Trois Museum
+1 · 805 · 458 · 0693 jason@troismuseum.com Send a Founding Inquiry

Call or text · All inquiries confidential · Private visits and video calls by appointment